Breakfast at the Sunday morning market in Chinatown is an old tradition in Kolkata (formerly Calcutta).

 

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Visitors have to be up early because the market’s hours are short – from about 6.30 to 8.30 a.m..

 

 

 

 

 

 

 

 

 

 

The market is in a lane in the city’s crowded centre (beside Poddar Court, a recently bulit commercial complex).

 

 

 

 

 

DSC04334This was once the heart of a thriving, centuries-old Chinese community (some members of the cast of River of Smoke and Flood of Fire [forthcoming, May 28, 2015] are from this community).

 

 

 

 

 

 

 

 

 

Now only a hundred or so Chinese-Indian families remain in this neighbourhood.

 

 

DSC04123But still, every Sunday vendors gather to sell Chinese cabbage, mustard greens, dumplings, home-made noodles, shu-mai, Chinese sausages, steamed glutinous rice, meatballs and so on

 

 

 

 

 

 

 

In an adjoining lane,

 

 

DSC04189 (480x640)Chhatawala Gulee, named after the umbrella-makers who once had workshops there,

 

 

 

 

 

 

 

 

 

 

is the Sea Ip Church,

 

 

 

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which was founded in 1905,

 

 

 

 

 

 

 

by migrants from four counties

 

 

 

 

 

DSC04191 (640x480) in China’s Guangdong Province.

 

 

 

 

 

 

 

 

 

 

Pictures of Mahatma Gandhi and Sun Yat Sen

 

DSC04131hang in the entrance hall.

 

 

 

 

 

 

 

 

 

 

We are fortunate to have with us,

 

DSC04137a brilliant scholar of China, Dr. Tansen Sen, a Kolkata-born historian who is an expert on Indo-Chinese connections and cultural exchanges. He is the author of Buddhism, Diplomacy, and Trade: The Realignment of Sino-Indian Relations, 600-1400 (University of Hawai’i Press, 2003) and many other books and articles.

 

 

 

 

 

 

 

 

 

Tansen explains that the ‘churches’ of Kolkata’s Chinatown are traditional Buddhist-Daoist Chinese temples.

 

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The ‘church’ designation derives from British colonial administrative practices.

 

 

 

 

 

 

 

 

 

 

 

The Sea Ip Church is consecrated primarily to

 

 

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Guanyin, Goddess of Mercy.

 

 

 

 

 

 

 

 

 

 

 

 

This notice explains how to get a

 

 

DSC04152‘Guan-Yin Blessed Card.’

 

 

 

 

 

 

 

 

 

 

 

 

There is also a side chapel

 

 

 

 

 

DSC04182 (480x640)dedicated to a community deity.

 

 

 

 

 

 

 

 

 

 

 

 

Tansen explains that he is

 

 

 

 

DSC04186 (480x640)Ba Gong, a deified official, one of many such.

 

 

 

 

 

 

 

 

 

 

 

 

Here he is garlanded with

 

 

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rupee notes.

 

 

 

 

 

 

 

 

 

 

 

 

In the main shrine room,

 

 

 

 

 

 

DSC04148at the altar Of Guanyin,

 

 

 

 

 

 

 

 

 

 

 

a ceremony is under way,

 

 

 

 

DSC04165 (640x480)conducted by a few members of the community.

 

 

 

 

 

 

 

 

 

One of them tells us about

 

 

 

 

DSC04187 (480x640)the accompaniments of the ceremony (which she describes as a puja).

 

 

 

 

 

 

 

 

 

 

 

 

She says that

 

 

 

 

 

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the incense-sticks

 

 

 

 

 

 

 

 

 

 

and other offerings,

 

 

 

 

 

DSC04188 (640x480)like these paper ingots, representing gold, are all locally made, by artisans who had once worked in factories owned by members of the Chinese-Indian community.

 

 

 

 

 

 

 

 

 

A stone’s throw from the Sea Ip Church, is a building that once housed a great Calcutta institution:

 

 

 

 

 

DSC04218 (640x480)the Nanking Restaurant. It was one of my father’s favourite restaurants and I have fond childhood memories of it.

 

 

 

 

 

 

 

The restaurant closed down years ago

 

 

 

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and the approaches to the building are now choked with refuse.

 

 

 

 

 

 

 

 

 

 

 

 

It is a sorry sight, but things may soon get better.

 

 

 

 

 

DSC04205 (480x640)Rinkoo Bhowmick is one of the founders of the Cha Project,  an initiative which hopes to transform Chinatown.

 

 

 

 

 

 

 

 

 

 

 

If all goes well, this building, which is also known as the Toong On Church, will be restored to its former glory.

 

 

 

 

DSC04207 (480x640)In the main hall (which once housed the Nanking Restaurant), there is an image of the Buddha.

 

 

 

 

 

 

 

 

 

 

The salon upstairs is empty now,

 

 

 

 

DSC04211 (640x480)but was once filled with fine artefacts.

 

 

 

 

 

 

 

 

 

Lee Han Kuang, a prominent member of the community, is working to reclaim some of those artefacts and hopes one day to

 

DSC04212 (480x640)bring some of them back to the Toong On Church.

 

 

 

 

 

 

 

 

 

 

 

 

Once upon a time, crowds would gather around the building when film stars like Dilip Kumar and Meena Kumari came to the restaurant. The stars  would often step out on the balcony to wave to their fans in the lane below.

 

 

 

This is what the lane looks like today. DSC04213 (480x640)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Across the main road, on Blackburn Lane,

 

 

 

 

 

DSC04224 (480x640)is the Hupeh Association. Tansen tells me that the favoured profession of migrants from Hupeh was dentistry. In my childhood the clinics of Chinese dentists were a common sight in Calcutta; their premises were easy to recognize because of the giant teeth that hung above their doors.

 

 

 

 

 

 

 

 

 

 

Many families of Chinese origin once

 

 

 

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lived in this building and those around it.

 

 

 

 

 

 

 

 

A portrait of Sun Yat Sen hangs inside,

 

 

 

 

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And in an adjoining room there is a shrine to Lu Ban,

 

 

 

 

 

 

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God of Carpenters.

 

 

 

 

 

 

 

 

 

 

 

 

 

There is also a little altar to Atchew, who is regarded as the founder of the Chinese-Indian community.

 

 

 

 

 

DSC04238 (640x480)He settled in Bengal in 1785 and is said to have had an Indian wife. The town of Atchipur takes its name from him.

 

 

 

 

 

 

 

 

Down the road is the community’s funeral parlour,

 

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tucked in beside

 

 

 

 

 

 

 

 

 

 

a long row of houses:

 

 

 

 

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this was once the residential core of Chinatown.

 

 

 

 

 

 

 

 

 

Many of the houses still have

 

 

 

 

 

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Chinese lettering on the doorways.

 

 

 

 

 

 

 

 

 

 

 

Making our way past a

 

 

 

 

 

DSC04247 (480x640)(very serious) cricket match

 

 

 

 

 

 

 

 

 

 

 

 

 

and the doorway of a now-defunct

 

 

 

 

Chinese bookshop DSC04223

 

 

 

 

 

 

 

 

 

 

 

 

we walk past the bricked-up entrance

 

 

 

 

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to what was once the Guang Shun club and restaurant,

 

 

 

 

 

 

 

 

 

 

 

and enter a lane

 

 

 

 

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that leads to the oldest Chinese temple in Kolkata.

 

 

 

 

 

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The address is 17A Tiretty Bazar.

 

 

 

 

DSC04254 (480x640)A narrow passageway, filled with debris,

 

 

 

 

 

 

 

 

 

 

 

 

bears witness to

 

 

 

 

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a history of contentious litigation within the community.

 

 

 

 

 

 

 

 

 

 

 

 

The main shrine room is upstairs;

 

 

 

 

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it is dedicated to Tianhou, Goddess of Sailors.

 

 

 

 

 

 

 

 

 

 

 

 

This temple is said to have been founded in the early 19th century,

 

 

 

 

 

DSC04258 (480x640)before the First Opium War (1840-42).

 

 

 

 

 

 

 

 

 

 

 

 

 

The temple’s custodian,

 

 

 

DSC04261 (480x640)Zeng Jian Chuan,

 

 

 

 

 

 

 

 

 

 

 

 

 

shows us around the premises.

 

 

 

 

 

 

 

 

DSC04275 (640x480)The terrace is lined with commemorative inscriptions.

 

 

 

 

 

 

 

 

 

 

 

 

In a nearby building a man

 

 

 

DSC04270 (640x480)hangs some leaves, freshly bought at the market, on a window-sill: they will soon be turned into Chinese-style pickled mustard greens.

 

 

 

 

 

 

 

 

 

Returning to the lane

 

 

 

 

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we walk deeper into Tiretty Bazar,

 

 

 

 

 

 

 

 

 

to what was once a ceremonial gateway

 

 

 

 

 

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Inside lies the tranquil courtyard of the

 

 

 

 

 

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Nanshuan Native Place Association.

 

 

 

 

 

 

 

 

 

 

 

The principal deity in the shrine room is Guandi, the God of War.

 

 

 

DSC04294 (480x640)The inscription hanging above the altar says: ‘Prosper in Foreign Lands’ (the character yi, which was cited by the British as a major grievance during the First Opium War, is third from right).

 

 

 

 

 

 

 

 

 

 

 

 

Amidst the

 

 

 

 

 

 

DSC04297 (640x480)decorative weaponry,

 

 

 

 

 

 

 

 

 

 

 

is a mysterious statuette

 

 

 

 

 

DSC04296 (480x640)the provenance of which not even Tansen can explain.

 

 

 

 

 

 

 

 

 

 

 

 

 

Next to the shrine room, is the hall

 

 

 

 

 

 

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where the members of the association would gather for meetings.

 

 

 

 

 

 

 

 

 

 

 

 

In a cabinet on a wall,

 

 

 

 

 

 

DSC04302 (640x480)there is a poignant display of photographs of members who have left for other shores.

 

 

 

 

 

 

 

 

 

 

 

At the far end of the complex

 

 

 

 

 

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are a few schoolrooms.

 

 

 

 

 

 

 

 

 

 

 

The headmistress,

 

 

 

 

 

DSC04306 (480x640)Lily Ho, tells us that her efforts to teach her pupils Chinese have been unavailing: ‘They find the language too difficult.’

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Another short walk down the lane

 

 

 

 

 

 

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brings us to the last stop on our itinerary.

 

 

 

 

 

 

DSC04321 (640x480)The Yi Xing temple, which is another shrine-cum-‘native place association.’

 

 

 

 

 

 

 

 

 

 

 

 

A game of mah-jong is under way when we enter.

 

 

 

 

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In one corner of the room

 

 

 

 

 

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is an old chest

 

 

 

 

 

 

 

 

 

 

 

 

filled with papers

 

 

 

 

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like this one,

 

 

 

 

 

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a funerary inscription.

 

 

 

 

 

 

 

 

 

 

 

 

Tansen is horrified to learn that the papers may soon be

 

 

 

 

 

 

DSC04332 (480x640) (2)disposed of as trash. He offers to have them digitized.

 

 

 

 

 

 

 

 

 

 

 

 

 

which draws a big smile from one of our guides,

 

 

 

 

 

 

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Dominic Shien Woun Lee, an activist who hopes to preserve and restore the  community’s heritage.

 

 

 

 

 

 

For a long time preservation and restoration were not a high priority for Kolkata’s Chinese-Indians. Following on the India-China war of 1962 the community faced many vicissitudes, including mass internment, expropriation of property, dwindling numbers, and so on. If this was a dark chapter in the history of independent India, it was even more so in that of Kolkata, where Chinese migrants have been a part of the urban fabric for many generations.

The city has paid a steep price for the treatment that was meted out to its Chinese-Indian residents: had the community been allowed to thrive it would have brought in, decades ago, investments of the kind that India’s current leaders are now earnestly soliciting from many countries, including China. Diasporic Chinese communities have generated great wealth for Bangkok, Saigon, Jakarta and many other cities across South East Asia; they are now doing so also in Vancouver, Sydney and elsewhere. Unfortunately, for Kolkata, this was yet another of a long string of missed opportunities and squandered advantages.

But fortunately for the city, it is still in possession of the legacy that was left to it by its once flourishing Chinese population. The remaining buildings of Chinatown are a unique endowment, the like of which exists in no other Indian city; if properly restored these buildings could become a huge draw for visitors and serve to revitalize a decaying neighbourhood. Only time will tell whether this legacy will be squandered or cherished.

 

 

 

 

 

 

 

 

 

 

 

 

6 thoughts on “Kolkata’s Once and Future Chinatown”
  1. Brought back memories of my school days where we used to have atleast 3-4 Chinese students in our class and used to envy their tiffin sometimes, sometimes their artistic handwritings…….. but they were different. Almost all of them were exceptionally talented in Table Tennis.
    My sincere thanks to Mr. Ghosh for this unique and cherished work.

  2. Dear Mr. Ghosh,

    Thank you very much for this picture tour of Kolkata’s Chinatown. I lived in Calcutta from 1943 to 1946 when I was a child. We lived in a crumbling Victorian mansion on Lower Circular Road. My dad was then China’s (Chiang Kai-shek’s) World War II military representative in Calcutta. I went to school in Loreto House. I remember going to Nanking Restaurant with my parents and their Chinese friends for a luncheon, which was delicious. I have very fond memories of Calcutta, which then had horse-drawn carriages.

    I have met Dr. Tansen Sen and was amazed that he was in these pictures. I now live in California.

    Thank you very much again for this precious work on Kolkata’s Chinatown.

    With best regards,
    Julie L. Wei

  3. Hi sir, as one who is born in a time when Chinese population is ever dwindling, your article educated me a lot. I’m doing a sort of research about the origin and culture of the Chinese people settled here. Could you guide me as to where to look for authentic information?

  4. Fascinating journey through Calcutta’s Chinatown, endless thanks. I was wondering if the figurine might refer to Chingli, the Chinese lieutenant of Kujnali Marakkar, the naval chief of King Zamorin of Calicut. Just a thought.

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